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I recently had a chance to speak to director Campillo and his two stars about BPM‘s diverse mix of styles, the legacy of ACT UP, and the film’s beautiful, touching sex scenes. (Nathan is HIV-negative, Sean is positive.) With uncommon intelligence and tenderness, Campillo shows us how these two men navigate their relationship through the realities of the plague and the internal politics of ACT UP.
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Gradually, the movie focuses on the growing, passionate relationship between newcomer Nathan (Arnaud Valois) and Sean (Nahuel Pérez Biscayart), one of the group’s more vocal and boisterous members.
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It follows the activities of ACT UP Paris in the early 1990s, and for much of its early scenes, we’re thrown into the raging debates of the organization’s contentious but highly organized weekly meetings. Over the years he painted his mates.Winner of the Grand Jury Prize at this year’s Cannes Film Festival, BPM (Beats Per Minute), French director Robin Campillo’s stylized, moving drama of AIDS activism and love, sometimes feels like several films at once.
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Peretz has created a series of naive paintings that deal with loving relationships between men and common daily activities in the home environment. After his first love for a man in 1999 and coming to terms with his sexual orientation, the paintings became peaceful and he presented the homosexual relationship in an ideal way. At first, the paintings express hesitation and imperfection, while Peretz does not reveal the faces of the cartoonists. In addition to explicit paintings, he created series of flower paintings, as a metaphor for the relationship between a man and a woman.Īt the age of 32 he came out of the closet and began to draw relationships between men. In his work, starting in 1995, he dealt with relationships, initially with relationships between men and women, in which complex relationships between men and women can be seen. The diaries were presented in a solo exhibition at Camera Obscura and in a group exhibition at the Sommer Gallery. He later adorned the diaries with illustrations and drawings. Since 1995 he has lived and worked from his studio in Tel Aviv.īetween the ages of 17 and 32, he wrote about forty diaries, sketchbooks and artist books in which he wrote daily and described his thoughts, experiences and feelings and his struggle with his homosexual sexual orientations. He has been painting since 1989 and since 1999 earns a living only from selling art. Peretz is a graduate of the Center for Visual Arts in Be'er Sheva, where he studied from 1989-1992.
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He worked for 15 years in education in therapeutic settings for children and taught art and movement. In the IDF, he served in the Artillery Corps. Rafi has a twin brother, industrial designer Miki Peretz (married to curator Revital Ben-Asher Peretz). Was born into a traditional family and grew up in Jerusalem. It is not known how many copies were made after the edition run ended. This includes works made-to-order, or prints on demand. The number of works produced has been determined and included in the listing. This means that every work of art is unique and there will never be another identical one. One-of-a-kind works of art are also known as “OOAK” artworks. Each work bears great similarities to the original. It could also refer to a prototype or a model from which other works can be made. Original Artwork could also refer to the first work, which is always preceding all others. They reach a greater audience than originals and act as a tonic against commodification. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. Mixed media includes oil, acrylic, and watercolor paintings. Original artwork can be any type of painting, sculpture, performance, or other media. Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist.